Author |
Topic |
Carl
- A 'Fifth' Catholic -
Ireland
11546 Posts |
Posted - 11/09/2006 : 06:32:33
|
Yeah, I upload icons all the time, just for that 'authentic' touch! It only takes a couple of moments, and it's nice to reproduce the article for prosperity, y'know, if the link goes dead!!
|
|
|
PixieSteve
> Teenager of the Year <
Poland
4698 Posts |
Posted - 11/09/2006 : 08:03:30
|
what if frankblack.net goes dead? i hope you're keeping a back up of all of these on your hard drive! god forbid these reviews ever become lost for eternity!
FAST_MAN  RAIDER_MAN - June 19th |
|
|
Carl
- A 'Fifth' Catholic -
Ireland
11546 Posts |
Posted - 11/09/2006 : 08:19:20
|
Ha ha, that'll never...whoops!!
http://blogcritics.org/archives/2006/11/15/223419.php
Article posted here:
http://forum.frankblack.net/topic.asp?whichpage=1.65714285714286&TOPIC_ID=15210&
http://www.popmatters.com/pm/music/reviews/7324/pixies-the-pixies-club-date-live-at-the-paradise-in-boston-dvd/
Pixies The Pixies - Club Date: Live at the Paradise in Boston [DVD] (Eagle Vision USA) US release date: 3 October 2006 by Zeth Lundy PopMatters Music Columns Editor
In the wacky world of arts and leisure, “retirement” is often just another word for “indefinite period of self-imposed silence during which an audience saves a special corner of its wallet for an inevitable, Jesus- esque homecoming”. You know, kinda like the period between the final song and the encore at a rock concert, only with prolonged, hopeless years piled up in between. This explains why particular “retirements” come across as transparent publicity stunts; after all, who didn’t expect Jay-Z, the Roger Clemens of hip-hop, to tire of lounging on sun-soaked yachts?
Pixies, arguably Boston’s most influential rock band from the late ‘80s / early ‘90s (next to Mission of Burma, perhaps), weren’t just living the proverbial retired life—they were dead. At least that’s what the T-shirts and posters promoting the band’s final slogan had us believe: DEATH TO THE PIXIES read their loveless goodbye. They served the noblest of indie-rock lives—coined an iconic brand of dissonant “alternative” rock with tugging dynamics, had a near-hit with a pretty little out-of-character pop song ("Here Comes Your Man"), saw said iconic formula shamelessly co-opted by a band (Nirvana) that became impossibly famous, and, throughout it all, never compromised their poker-faced weirdness—only to die just as profoundly as they had lived.
The relationship between singer / screamer / songwriter Black Francis and bassist / singer / rock-geek fantasy girl Kim Deal had become so tempestuous that, post-break-up, the subject of the band became one to avoid: Francis would dodge reporters’ Pixies-related questions, while Deal would simply hang up the phone. Francis reversed his fake name to make another fake name, Frank Black, and pursued slightly pleasanter power pop; Deal formed the Breeders, whose 1993 hit “Cannonball” charted higher than any Pixies song ever did; drummer David Lovering became a magician, as many drummers do; and no one knows what happened to guitarist Joey Santiago, but he was reachable when it came time for that fated reunion.
In the ensuing commercial wake of Pixies’ surprising and successful 2004 reunion tour comes the DVD Live at the Paradise in Boston, which documents a show the band performed that year at the titular club in the city of its origin. While it is yet another entry in a rash of recently released Pixies concert DVDs (The Pixies Sell Out, Acoustic: Live in Newport, the upcoming loudQUIETloud documentary) that capitalize on the reunion’s endless buzz, Live at the Paradise benefits from its nostalgic angle (band plays for rabid hometown crowd), intimate / unique setting (200 lucky fans crammed into a tiny rock club, the size of which is a fraction of what the band now commands), and anything-goes atmosphere.
The latter is an apt description of the show itself, which opens not with an expected one-two bomb of ruthless disharmony like “Bone Machine” or “Debaser”, but with the sweet and playful “La La Love You” and a requested cover of Neil Young’s hazy “Winterlong”. Moderate b-sides like “Into the White” and “In Heaven” follow closely behind, long before the real aural bloodletting begins. After these initial curveballs in the set list, a bit of predictability sets in: yes, “Monkey Gone to Heaven” and “Where Is My Mind” are featured, as are a majority of Doolittle‘s and Surfer Rosa‘s tracks. (Their prickly swan song, Trompe le Monde, is noticeably underrepresented, and only one song ["Alison"] is drawn from their surf- rock-on-Mars masterpiece Bossanova.)
Maybe it’s age or maybe it’s just the hurdle of re-learning forgotten roles, but it takes the band a little while to reach its abstract plane of whacked- out wickedness. On a thrasher like “Something Against You”, they seem to be delivering the thunder rather than really channeling it; by the time the convulsive “Crackity Jones” is tackled, however, everyone’s warmed up and back in their old molds: Lovering plows ahead at full-steam, Santiago stands motionless like a deer in the headlights, Deal offers plentiful smiles of defiance between requisite smoke breaks. Black eventually gives in to his possessed, tongues-speaking alter ego, which he appears unable to hold back after so long—not even a pair of respectable glasses can repress the primordial voice that his eerie songs summon.
When the band finishes its set, throwing sweaty arms around the bipolar closer “Caribou”, we’ve been given two glimpses of Pixies: the kindler, gentler manifestation, and that kinder, gentler manifestation’s rough estimate of past incarnations now distanced by time, age, forgotten roles, and so-called “retirement”. If that’s a reasonable delivery of the best we can expect, it’ll have to do.
* * *
As an added bonus, Live at the Paradise contains newly discovered footage from a 1986 show at the even smaller T.T. the Bear’s club in nearby Cambridge, billed as one of the band’s first live appearances. The home video is crudely shot and blurry at times, but it manages to convey a solid picture of Pixies at their onset, rampaging through early material like “Ed Is Dead” and “The Holiday Song”. Seeing Black wield and batter an acoustic guitar, both in 1986 and 2004, is a reminder of the instrument’s once-crucial role in provocative and punk-descended rock music, not to mention its routine and ridiculous banishment from the realm of “loud” music.
http://www.youtube.com/watch?v=zV_GcYm4LpY&eurl= The Pixies Live at the Paradise in Boston teaser clip
RATING:
— 19 November 2006
http://www.caughtinthecrossfire.com/music/dvd/2520
The Pixies - Live in Boston
Club Date: Live In Boston/Acoustic: Live In Newport (Eagle Rock Entertainment)
If you're not familiar with the Pixies, then stop reading this and don't come back until you've at least got your grubby little paws on a copy of the 'Death To The Pixies' compilation, and listened to it repeatedly. Been there, done that, you say?
Good - then go and read about how this Boston quartet became one of the most influential alternative bands of the late 80's/early 90s, arguably paving the way for Nirvana and their ilk with classic albums like 'Doolittle' and 'Bossanova'. Having originally split in 1992, they reformed in 2004 for a hugely successful world tour; and these two DVDs catch the band at two performances in their native New England.
For such a revered band, there's a refreshing lack of egotism or grandstanding from Black Francis and co on these performances; just a few snippets of endearingly amateurish between-song banter that lend the outdoors Newport performance a certain intimacy, and give the impression of a band playing for a couple of hundred close friends (as opposed to lucky fans) at the tiny Boston show.
There's nothing amateurish about the music though. Sure, the Pixies were never the most accomplished of musicians, but that didn't (and still doesn't) stop songs like 'Nimrod's Son', 'Bone Machine', 'Wave Of Mutilation' and the more well-known 'Monkey Gone To Heaven' sounding like the bonafide alt-rock classics that they are. The lengthy set-lists on both DVDs are guaranteed to keep most Pixies fans happy, and the sound and video quality is excellent throughout. There's also a mini-documentary and a recording of an early 1986 performance on offer in the 'Extras' sections.
Many of the songs featured on 'Acoustic: Live In Newport' have never officially been recorded in an acoustic form, and hence this DVD will probably be of most interest to the seasoned Pixies aficionado. Nevertheless, 'Club Date: Live In Boston' serves as a fine document of a classic band who have managed to bury their creative differences and re-emerge sounding as great as ever. If you've managed to catch them live over the past couple of years, you'll no doubt agree; and these DVDs are sure to bring back some fond memories.
Check www.pixiesmusic.com and www.ilovepixies.com for more info.
Alex Gosman
www.thephoenix.com/article_ektid29424.aspx" target="_blank">www.thephoenix.com/article_ektid29424.aspx" target="_blank">http://www.thephoenix.com/article_ektid29424.aspx
DOCUMENTARY EVIDENCE
Three DVDs capture the Pixies’ reunion
By TED DROZDOWSKI December 12, 2006 1:25:43 PM
SLOW LEARNERS: The Pixies needed four or five years to become exceptional.
The Pixies have always been an electric band. Nothing balances well-rounded frontman Black Francis/Frank Black/Charlie Thompson’s yowling about the numerology of God and the Devil and waves of mutilation like grinding guitars and the heavy snap of an amplified drum kit.
Hell, when the group started in 1986, they barely played well enough to hammer out their songs on stage. That was shortly after Thompson, an anthropology major, dropped out of college to form a rock band, apparently after digging up the demon Pazuzu and becoming possessed. Early on, Thompson, Kim Deal, Joey Santiago, and David Lovering were passionate little devils when they took the stage at Boston area clubs like the Rat and T.T. the Bear’s. But they lacked the blend of technique and panache that makes a rock band — even a primitive punk-rock band — good, not to mention the precision that acoustic arrangements demand. The truth about the Pixies is that though it took them just two albums and an EP to become influential, they needed four or five years of playing to audiences to become true performers. And then, after their 1992 tour, they broke up.
So it’s odd that a pair of DVDs capturing the reunited band in semi-acoustic and acoustic performances would be released within the past month. Pixies Acoustic Live at Newport (Eagle Rock Entertainment) is fascinating, even when the framework for their songs turns weak. Pixies — Live at the Paradise in Boston (also on Eagle Rock) is hideous and uncomfortable until Thompson puts down his acoustic guitar and hefts a Fender Telecaster to join his mates in plugged-in-ville. Then it’s exceptional — an electric Pixies concert that captures the group’s balance of musical passion and mad lyric prophecy. And for those curious as to why the Pixies are playing together again at all, there’s loudQUIETloud; A Film About the Pixies (MVD Visual), a behind-the-scenes documentary about their reunion that’s the finest of these releases.
What’s best about the Newport show is that its 22 tunes set Thompson’s lyrics in sharp relief. Biblical imagery bumps bellies with dark absurdism and contemplations on fate with absolute sonic clarity during their performance on stage at the famed Rhode Island folk festival on a sunny August 2005 day. The summery setting adds some innocence to a set list that’s a fan’s dream. Alterna-hits like Deal’s vocal feature “Gigantic,” “Monkey Gone to Heaven,” “Where Is My Mind?”, and “Wave of Mutilation” are balanced by thornier numbers like “Gouge Away,” “Subbacultcha,” and “River Euphrates.” The well-directed multi-camera shoot puts you right in the midst of the Pixies, and that makes it easy to see Santiago and Thompson exchange half-bemused/half-resigned glances whenever the usually bellowing guitar lines don’t make the transition to tinnier acoustic tones. When an audience member shouts for the group to jam, Thompson replies, “We’ve never jammed.” But a few songs later, on “River Euphrates,” he shoots Santiago a sly look and they do just that. Deal appears as nonplussed as ever behind her blimp-sized mariachi bass. Lovering has it easiest; his instrument’s always acoustic, and as usual he provides the Pixies’ pounding heartbeat with methodical grace.
Pazuzu’s curse is in effect during the early portion of Live at the Paradise. The band are off- balance: Thompson’s acoustic-guitar playing is lackluster, and Santiago seems reticent to blast over the frontman’s strumming. So the rocket fuel the audience is craving the moment the band take the stage is missing. The Pixies’ reunion was still very much a novelty at this point, and expectations for this semi-secret home-town show were high. Slow tempos and muffed song starts deflate the occasion, even if they seem a bit calculated on Thompson’s part. Maybe it was the cameras, since the group also have that deer-in-the-headlights look until Thompson straps on his Telecaster.
As any nervous club musician can tell you, there are two brands of courage: liquid and sonic. When Thompson begins to rumble through his amplifier on “Gouge Away,” he and Santiago provide a potent flaming double shot of the latter. And the Pixies find their wings, delivering the kind of rock-and-roll orgy they grew into before calling it quits.
Good as the Paradise concert becomes, fans may get a bigger turn-on from the disc’s bonus show: a 1986 set from T.T. the Bear’s. It’s bootleg quality, so the sound and the look aren’t as impressive as Thompson’s hair, and his thinness, and the pleasure of witnessing the Pixies when they were truly tiny.
LoudQUIETloud is an impressive little beast. Besides giving fans a chance to see Thompson in his skivvies, Steve Cantor and Matthew Galkin capture the band on stage at their best, thriving in the just-reignited spotlight during their first returning tours of Europe, Canada, and the States. Although the filmmakers’ contention that the Pixies are among the most influential bands of all time is dubious, they get into their subjects’ craniums with unforced effectiveness. Deal comes off as the most soulful and complex. (“She needs something to do besides making poetry, snowflakes, and sleeping all day,” her mom says of the reunion.) And who knew that after the band broke up, Lovering became a struggling, couch-surfing magician?
Incidental music by Daniel Lanois fills in the quiet spaces. Since the Pixies aren’t Chatty Cathys, there are lots of these. Then again, on the early comeback tours, the band had much to brood about. Deal was one year sober; Lovering’s dad was dying of cancer; Santiago and his wife had another baby on the way; Thompson was struggling with an impasse in his solo career. LoudQUIETloud is also a wake-up call to all the dipshits who slag bands like the Who for reuniting to harvest a cash crop on tours. Terrific as they are, it’s obvious early on that the Pixies are back in it only for the money. Frank Zappa would be proud! |
Edited by - Carl on 12/14/2006 17:03:20 |
|
|
Levitated
= Cult of Ray =
Chile
652 Posts |
Posted - 12/15/2006 : 16:50:52
|
Wow I had never seen that picture before! Thanks Carl |
|
|
Carl
- A 'Fifth' Catholic -
Ireland
11546 Posts |
Posted - 12/16/2006 : 08:51:06
|
Yeah, me neither, I love BF's expression and Kim's just like "Whatever!!"
Saw this on another forum-it's a promo sampler for Live At The Paradise and Newport. The track listing is:
1. Here Comes Your Man 2. Monkey Gone To Heaven 3. Debaser 4. Gigantic
http://www.concertlivewire.com/pixiesdvd1.htm
Pixies play with fire
Pixies - Live at the Paradise in Boston DVD (Eagle Vision) 4 stars (out of 5 stars) Reviewed: Dec. 21, 2006
Review by Andy Argyrakis
Since reuniting, The Pixies haven't put out a project filled with entirely new material, but the group has released a slew of products, especially under the DVD umbrella. First up was 2004's Pixies (4AD), which complied vintage concert clips, music videos and documentary footage, followed by 2005's Sell Out (Rhino), bringing the tour from the same year to home viewing audiences. Then there was early 2006's self-explanatory Acoustic: Live in Newport (Eagle Vision), the predecessor to the same label's brand new Live at the Paradise in Boston as part of its "Club Date Live" series.
While the group is almost wearing out its welcome on the small screen, the latest installment has an especially intimate feel, simultaneously capturing the group's genuine joy performing for a hometown audience. Whether it be the sparse acoustics of "La La Love You," the quirkiness of "Monkey Gone to Heaven" or the searing "Subbacultcha," there's plenty for die-hards to devour, especially those who weren't able to attend this highly coveted appearance.
But the real treat is a twelve track bonus set filmed in 1986 at TT The Bear's (also in Boston). Though the production is extremely sketchy, it complies a much younger, grungier group performing the cryptic and chaotic likes of "Rock a My Soul," "Ed Is Dead" and "Down To the Well." Even with this insertion, the project doesn't quite measure up to the exceptional Sell Out experience, though it's still serves a worthwhile purpose.
The Pixies Live at the Paradise in Boston Set List:
1. La La Love You 2. Winterlong 3. Into the White 4. Vamos 5. All Around the World 6. Mr. Grieves 7. Nimrod's Son 8. In Heaven 9. Where is My Mind? 10. Gouge Away 11. Something Against You 12. Dead 13. Isla De Encanta 14. Crackity Jones 15. Monkey Gone to Heaven 16. Wave of Mutilation 17. Subbacultcha 18. Planet of Sound 19. Bone Machine 20. River Euphrates 21. Allison 22. Sad Punk 23. U-Mass 24. Broken Face 25. Debaser 26. Tame 27. Gigantic 28. Hey 29. Caribou
|
Edited by - Carl on 12/21/2006 18:47:45 |
|
|
ATBNG
- FB Fan -
USA
39 Posts |
Posted - 12/25/2006 : 10:37:43
|
I've watched this several times over the past week. I've come to this conclusion. "All Around The World" is a great song and really benefits from Kim's second vocal part. I strongly prefer the Pixies version to the Jarvis/EDF/Block ensemble. I also love the live version of "Winterlong."
The older I get, the more I love "Planet of Sound." They seemingly nail this song every time live. This performance is no exception.
Frank is very funny on the DVD; I enjoy when he gets chatty and the other three members look like they're afraid of him. "Two-Three-FOUR!!!!"
|
|
|
Ziggy
* Dog in the Sand *
United Kingdom
2461 Posts |
Posted - 12/25/2006 : 16:46:22
|
It's a brilliant DVD, way better than 'Sell Out'. |
|
|
fbc
-= Modulator =-
United Kingdom
4903 Posts |
Posted - 12/27/2006 : 07:56:49
|
You're not wrong, Ziggy. I'd have paid the asking price just for the '86 bonus gig. I've never seen some of those songs performed live before, just heard them. To think fB was only 20 when it was recorded. Inspiring to say the least. |
|
|
mrgrieves1971
= Cult of Ray =
USA
544 Posts |
Posted - 12/27/2006 : 10:26:50
|
quote: Originally posted by fbc
You're not wrong, Ziggy. I'd have paid the asking price just for the '86 bonus gig. I've never seen some of those songs performed live before, just heard them. To think fB was only 20 when it was recorded. Inspiring to say the least.
And that gig was only about a mile from my house and I was probably just sitting at home doing my high school homework.
It's a shame ... |
|
|
fbc
-= Modulator =-
United Kingdom
4903 Posts |
Posted - 12/27/2006 : 11:09:38
|
Yeah, I was 8, probably listening to Shakin' Stevens while playing my Uncle's Atari.
"There's an old piano and they play it hot behind the green door" |
|
|
chineselover
= Cult of Ray =
Ireland
348 Posts |
Posted - 01/09/2007 : 13:56:27
|
Great DVD.. esp the bounsu footage.. in fact, its all about that bonus footage really - what a bonus! |
|
|
Carl
- A 'Fifth' Catholic -
Ireland
11546 Posts |
Posted - 05/29/2007 : 16:15:15
|
Talking Pish: Films, Films, Films.
The Pixies Live at the Paradise in Boston. This is a concert film of The Pixies playing a 200 capacity venue in their hometown last year. The band seems quite relaxed and chatty with the audience as they play through faves like Nimrod’s Son, Monkey Gone to Heaven, Debaser and Gigantic. The DVD also features a 12-song set from a Boston show in October 1986, filmed on a shaky camcorder and transferred from a bad quality video tape. |
Edited by - Carl on 05/29/2007 16:17:09 |
|
|
Topic |
|
|
|