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                      |  Posted - 05/08/2009 :  07:46:43     
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                      | Uptown Magazine Online. 
 Remembering an underground hero
 Musician/cult figure Peter Ivers is being celebrated at The Cyrk with a screening of his seminal alt TV show
 New Wave Theatre and a reading by his biographer, Josh Frank
 Aaron Graham
 
 the curious case of musician, alternative TV host,
 and all-around cult figure Peter Ivers while doing
 research for his 2006 book, Fool the World: The
 Oral History of a Band Called Pixies.
 
 "While writing the book, I researched the two or
 three covers the Pixies did, one of which was In
 Heaven, Everything is Fine (from Eraserhead),"
 Frank says. "The only information available about
 that song is that it's written by both David Lynch
 and Peter Ivers. Now, that was intriguing to me. It
 was like a gaping hole in pop culture.'
 
 Ivers, for the uninitiated, was a Harvard-
 educated underground musician with major label
 support. Early on, he mastered the harmonica,
 taught by such luminaries as Muddy Waters and
 Little Walter. Later in his life, Ivers hosted a TV
 show called New Wave Theatre, which
 unleashed the burgeoning L.A. punk scene of the
 1980s into living rooms everywhere. Tragically,
 he was bludgeoned to death by an unknown
 assailant in 1983. He was just 37.
 
 Ivers' short yet accomplished life inspired Frank
 to pen a book about him, aptly titled In Heaven,
 Everything is Fine.
 
 Ivers had many famous friends, all of whom
 relished the chance to talk about Ivers to author
 Frank. From Harold Ramis (co-writer of
 Ghostbusters) and Dan Aykroyd, to directors
 John Landis and Joe Dante (Gremlins), Ivers' pals
 helped Frank better understand his subject.
 
 "I got into contact with a very famous film
 producer, Lucy Fisher, who had been Ivers'
 girlfriend back then. I wanted to talk to those who
 knew Peter the best and loved him the best, but
 to speak to people who worked and lived in the
 same era, just to get a sense of the time and place," Frank says.
 
 "This is the one project I worked on where not a single person said they wouldn't talk to me about Peter. That's quite amazing,
 you can't write a story without having someone who's angry at them, or embarrassed - there's always a reason. That wasn't
 the case here."
 
 The New Wave Theatre years encompassed a lot of Ivers' creative output during the early 1980s, and his show introduced
 such groundbreaking punk acts as Fear, The Circle Jerks, Dead Kennedys (Jello Biafra was a fan of Ivers' solo albums) and
 The Blasters to the curious public.
 
 "Peter is a prime example of being an everyman of the underground artist. We're working on getting a documentary made
 about his life, because I feel that I'm not done on spreading the word about Ivers, his work and New Wave Theatre," Frank
 says.
 
 Frank is also quick to mention how the visual aid of having episodes to supplement his reading only helps in making new fans
 of Ivers.
 
 "What really brought Peter to life, and made people come out and see him, is when we actually show episodes of New Wave
 Theatre. It put into perspective that he was a rock star. I mean, you read the book, and it does its job and I'm more proud of it
 than any other creative work, but people really got turned onto Peter when I show live recordings of him. They relate to him
 today in a way that I don't think they really did back then," Frank says.
 
 "It's both refreshing to know that there are still things to discover, but depressing that pop culture simplifies the timeline of
 history in order to make it more user-friendly. In doing so, we lose the more important moments that define us."
 
 NEW WAVE THEATRE
 May 14, 7 p.m., The Cyrk (254 Young St.)
 w/ a performance by Slattern and a reading by Josh Frank
 
 
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