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TRANSMARINE
* Dog in the Sand *

USA
2002 Posts

Posted - 05/09/2007 :  11:13:36  Show Profile  Reply with Quote
Maybe only because it's the only thing I've been listening to for the past 6 weeks, but does anyone else notice the hissing of the obvious vocal track? Especially in the intro of TPB (when Frank mumbles "stations of the cross" and then his humming just prior to "breathing mask...") and the "Ahhhhhhhhhhhhhhh" at the start of CAPTAIN PASTY? It's beginning to annoy me. Hope this hasn't been covered already. And if it has, well, whatever happened with this?

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN

Grotesque
= Cult of Ray =

France
777 Posts

Posted - 05/09/2007 :  11:24:03  Show Profile  Reply with Quote
quote:
Originally posted by TRANSMARINE

Maybe only because it's the only thing I've been listening to for the past 6 weeks, but does anyone else notice the hissing of the obvious vocal track? Especially in the intro of TPB (when Frank mumbles "stations of the cross" and then his humming just prior to "breathing mask...") and the "Ahhhhhhhhhhhhhhh" at the start of CAPTAIN PASTY? It's beginning to annoy me. Hope this hasn't been covered already. And if it has, well, whatever happened with this?

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.


-bRIAN



I think you're not talking about edits, but multitracking.
B F recorded with the band without doing the proper vocals, but as he was on "high energy" mode, he shouted and said some things that you can hear in the ambiant microphone (the one that catch the general vibe of the room). Maybe the disturbing thing is that it is the same guy twice?

Edited by - Grotesque on 05/09/2007 11:24:48
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TRANSMARINE
* Dog in the Sand *

USA
2002 Posts

Posted - 05/09/2007 :  11:46:52  Show Profile  Reply with Quote
I did indeed mean multitracking...but do you hear what I'm talking about? The humming in particular at the start of TPB is flown in and clearly not from the same take as the intro lyrics...there is a definate and noticible splice. It doesn't make me dislike it or anything, it's just a rarity when it comes to Frank (as we have had nothing for 10 years but mostly live to two-track) to hear such sonic puppetmastery. The "aaahhhhhhhhh" from the start of CP also suffers from high-pitch hissing...much different than the vocals which start a few seconds later. Just an observation.

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN
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Mac E. Doobage
= Cult of Ray =

503 Posts

Posted - 05/09/2007 :  12:55:27  Show Profile  Reply with Quote
Eeeeeewp.


quote:
Originally posted by TRANSMARINE

Maybe only because it's the only thing I've been listening to for the past 6 weeks, but does anyone else notice the hissing of the obvious vocal track? Especially in the intro of TPB (when Frank mumbles "stations of the cross" and then his humming just prior to "breathing mask...") and the "Ahhhhhhhhhhhhhhh" at the start of CAPTAIN PASTY? It's beginning to annoy me. Hope this hasn't been covered already. And if it has, well, whatever happened with this?

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN

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Jason
* Dog in the Sand *

1446 Posts

Posted - 05/09/2007 :  13:27:59  Show Profile  Reply with Quote
Before making any sonic judgements, one might consider that the leaked copy might not have been properly mastered yet.
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Czar
= Cult of Ray =

Canada
321 Posts

Posted - 05/09/2007 :  13:48:02  Show Profile  Visit Czar's Homepage  Reply with Quote
Anybody who bought the "official" TA release AND got it from the ether first can confirm if there's any difference in the mastering?
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bumblebeeboy2
> Teenager of the Year <

United Kingdom
2638 Posts

Posted - 05/09/2007 :  13:59:02  Show Profile  Click to see bumblebeeboy2's MSN Messenger address  Reply with Quote
Hey I like those bits! On quite a few of the Catholics albums there would be strange noises, yelps and stuff in the background, either from a Catholic or Frank turning away from the mic and doing something. He's always done it as far as I can tell, and does them more when playing live, I like that!


http://www.myspace.com/monkeyhelperband http://www.myspace.com/imnimrodsson
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Czar
= Cult of Ray =

Canada
321 Posts

Posted - 05/09/2007 :  14:02:02  Show Profile  Visit Czar's Homepage  Reply with Quote
No, no, I was just goofing around.
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TRANSMARINE
* Dog in the Sand *

USA
2002 Posts

Posted - 05/09/2007 :  14:09:43  Show Profile  Reply with Quote
No...what I'm talking about is not stuff like the talking bits or background voices...I'm talking about vocal track hissing as it's layered over instrument tracks.

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN
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bumblebeeboy2
> Teenager of the Year <

United Kingdom
2638 Posts

Posted - 05/09/2007 :  15:28:42  Show Profile  Click to see bumblebeeboy2's MSN Messenger address  Reply with Quote
In that case I've not really noticed it.


http://www.myspace.com/monkeyhelperband http://www.myspace.com/imnimrodsson
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DruggedBunny
= Cult of Ray =

United Kingdom
395 Posts

Posted - 05/09/2007 :  16:02:15  Show Profile  Reply with Quote
The 'aaaaaaaahhhh-ha-haa' bit rules.
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billgoodman
>> Denizen of the Citizens Band <<

Netherlands
6213 Posts

Posted - 05/10/2007 :  02:03:24  Show Profile  Click to see billgoodman's MSN Messenger address  Reply with Quote
I like me some hiss, actually.

---------------------------
BF: Mag ik Engels spreken?
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Sam
= Cult of Ray =

Ireland
514 Posts

Posted - 05/10/2007 :  04:18:27  Show Profile  Reply with Quote
Love when Frank multi tracks
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TRANSMARINE
* Dog in the Sand *

USA
2002 Posts

Posted - 05/10/2007 :  08:07:03  Show Profile  Reply with Quote
I love it too...just not when technical sloppiness overshadows the result.

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN
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Grotesque
= Cult of Ray =

France
777 Posts

Posted - 05/10/2007 :  09:02:10  Show Profile  Reply with Quote
I see what you mean, Transmarine, but when you refer to live-to-2-tracks records, I remind you they're full of accidents and errors (sometimes very enjoyable). Personaly, and that has nothing to do with how much I like FB's records, I consider that everything he did without Gil Norton or Eric Drew Feldman has a touch of "amateur" work. That touch was very calculated with Albini (he thought it would be cool), very accidental with Tiven (because it was done so fast), but I feel it. Without an absolute pop-perfectionist like Feldman or Norton, you will allways have littles bits of this and that in the sound. I think FB like them, but I wish (pray?) that he will work with Feldman again. It's so good to have a "perfect" pop song sometimes.

By the way, this should be in the general discussion area, or at least in the Bluefinger thread.
I now the rating is higher here but there is no "new" stuff in this thread.

Edited by - Grotesque on 05/10/2007 09:06:04
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TRANSMARINE
* Dog in the Sand *

USA
2002 Posts

Posted - 05/10/2007 :  09:31:38  Show Profile  Reply with Quote
quote:
Originally posted by Grotesque

I see what you mean, Transmarine, but when you refer to live-to-2-tracks records, I remind you they're full of accidents and errors (sometimes very enjoyable).... It's so good to have a "perfect" pop song sometimes.





I am very aware and totally understand the two-track thing...has nothing to do with the live accidents and errors...sigh. Maybe I am not being clear. Since the lyrics in BLUEFINGER's case are not "live to two-track" (I hate to even use that phrase, because it's only causing confusion), any extraneous voices and weird things are concsiously and purposely PUT there, often by way of a track flown in later...it's the obvious hiss of the layering (like a bad 4-track recorder) that is bugging me. Does no one else hear it?

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN
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kfs
= Cult of Ray =

USA
889 Posts

Posted - 05/10/2007 :  09:55:02  Show Profile  Reply with Quote
Yes, Transmarine, I actually noticed that the other day in TPB (before you started this thread).
I know exactly what you mean. I just figured it might not be that way in the final copy.

______________________
I've seen blue you've never seen
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PixieSteve
> Teenager of the Year <

Poland
4698 Posts

Posted - 05/10/2007 :  11:31:40  Show Profile  Reply with Quote
quote:
Originally posted by TRANSMARINE

I love it too...just not when technical sloppiness overshadows the result.

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN



wow, talk about making a big deal out of very little!


"I'm an editor of a major publication" - coastline
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Jason
* Dog in the Sand *

1446 Posts

Posted - 05/10/2007 :  11:54:34  Show Profile  Reply with Quote
quote:
Originally posted by TRANSMARINE
it's the obvious hiss of the layering (like a bad 4-track recorder) that is bugging me. Does no one else hear it?



Well, again, you're listening to a leaked pre-release copy. Whatever quibbles you have with this early version may not apply to the authorized, official, released, mastered Bluefinger.
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Grotesque
= Cult of Ray =

France
777 Posts

Posted - 05/10/2007 :  12:11:08  Show Profile  Reply with Quote
quote:
Originally posted by TRANSMARINE


Since the lyrics in BLUEFINGER's case are not "live to two-track" (I hate to even use that phrase, because it's only causing confusion), any extraneous voices and weird things are concsiously and purposely PUT there.

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN



Why do you think we dont understand what you mean? The contradiction you see between multitracking and accidents is just not obvious for everybody. You can do multitracking with the same raw spirit as a live to 2 tracks. I see (or hear) Bluefinger just that way. The rythms are obviously very live, with speed changes (very welcomed in the "jazzy" parts), shouts, noises and everything. Just the oposite of the orange albums and its rythm tracks created by a computer.
Frank Black must be a very unpicky listener. He certainly care about the feelings and few about "the sound of the snare drums".

Edited by - Grotesque on 05/10/2007 12:13:09
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Jefrey
= Cult of Ray =

USA
918 Posts

Posted - 05/10/2007 :  13:05:59  Show Profile  Visit Jefrey's Homepage  Reply with Quote
quote:
Originally posted by Jason

quote:
Originally posted by TRANSMARINE
it's the obvious hiss of the layering (like a bad 4-track recorder) that is bugging me. Does no one else hear it?



Well, again, you're listening to a leaked pre-release copy. Whatever quibbles you have with this early version may not apply to the authorized, official, released, mastered Bluefinger.



See my post in the spoiler thread - it's pretty obvious to me that the release version of TA has been remixed and remastered, so it's quite possible that these little things will be cleaned up in the final version.

== jeffamerica ==
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TRANSMARINE
* Dog in the Sand *

USA
2002 Posts

Posted - 05/10/2007 :  13:16:38  Show Profile  Reply with Quote
quote:
Originally posted by Grotesque

quote:
Originally posted by TRANSMARINE


Since the lyrics in BLUEFINGER's case are not "live to two-track" (I hate to even use that phrase, because it's only causing confusion), any extraneous voices and weird things are concsiously and purposely PUT there.

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN



Why do you think we dont understand what you mean? The contradiction you see between multitracking and accidents is just not obvious for everybody. You can do multitracking with the same raw spirit as a live to 2 tracks. I see (or hear) Bluefinger just that way. The rythms are obviously very live, with speed changes (very welcomed in the "jazzy" parts), shouts, noises and everything. Just the oposite of the orange albums and its rythm tracks created by a computer.
Frank Black must be a very unpicky listener. He certainly care about the feelings and few about "the sound of the snare drums".



(Transmarine slaps his forhead)

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN
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Jefrey
= Cult of Ray =

USA
918 Posts

Posted - 05/10/2007 :  14:00:06  Show Profile  Visit Jefrey's Homepage  Reply with Quote
quote:
Originally posted by TRANSMARINE

quote:
Originally posted by Grotesque

quote:
Originally posted by TRANSMARINE


Since the lyrics in BLUEFINGER's case are not "live to two-track" (I hate to even use that phrase, because it's only causing confusion), any extraneous voices and weird things are concsiously and purposely PUT there.

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN



Why do you think we dont understand what you mean? The contradiction you see between multitracking and accidents is just not obvious for everybody. You can do multitracking with the same raw spirit as a live to 2 tracks. I see (or hear) Bluefinger just that way. The rythms are obviously very live, with speed changes (very welcomed in the "jazzy" parts), shouts, noises and everything. Just the oposite of the orange albums and its rythm tracks created by a computer.
Frank Black must be a very unpicky listener. He certainly care about the feelings and few about "the sound of the snare drums".



(Transmarine slaps his forhead)

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN



Ouch!

I hear what you're saying. Why "manufacture" mistakes and studio noise? But is it possible that they just kept some of the temp track stuff in there? That could explain the hiss - he was doing a guide vocal with a live performance or something, and they decided to keep some of it in.

They did the same thing on Surfer Rosa. You can hear the temp vocal bleed through in the background sometimes. Maybe they were trying to go for that sort of feel?

Just playing devil's advocate here.

That stuff doesn't usually bother me, but I could see how it could. Like "hey we're making a studio album with lots of multitracking, but see how loose and playful we are?" It obvious with all the overdubs that there are not all playing at the same time in a room together, so why make it seems so? If the illusion works, then it creates atmosphere, but if it doesn't, then it sounds fake and could be distracting.

== jeffamerica ==
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billgoodman
>> Denizen of the Citizens Band <<

Netherlands
6213 Posts

Posted - 05/10/2007 :  14:03:24  Show Profile  Click to see billgoodman's MSN Messenger address  Reply with Quote
Perfect pop song or not the first 2 FB albums sounds a bit sterile sometimes. I like the sound
on DITS and SMYT the best, although a nice recorded album like Doolittle from time to time is good also. At the end of the day the quality of the writing is the most important.

---------------------------
BF: Mag ik Engels spreken?
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Jefrey
= Cult of Ray =

USA
918 Posts

Posted - 05/10/2007 :  14:05:56  Show Profile  Visit Jefrey's Homepage  Reply with Quote
quote:
Originally posted by billgoodman

Perfect pop song or not the first 2 FB albums sounds a bit sterile sometimes. I like the sound
on DITS and SMYT the best, although a nice recorded album like Doolittle from time to time is good also. At the end of the day the quality of the writing is the most important.

---------------------------
BF: Mag ik Engels spreken?



I kind of agree - I think TOTY is starting to sound a bit dated. I have great memories of it, but lately when I try to listen to it, it sounds...yeah sterile is probably the right word. No rock 'n' roll soul like with the Catholics.

I think the first one still sounds great.

== jeffamerica ==
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Czar
= Cult of Ray =

Canada
321 Posts

Posted - 05/11/2007 :  03:55:54  Show Profile  Visit Czar's Homepage  Reply with Quote
Jefrey, you are perfectly right. Sterile. Brilliant but sterile compared to Catholics and BF stuff.
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Grotesque
= Cult of Ray =

France
777 Posts

Posted - 05/11/2007 :  11:26:40  Show Profile  Reply with Quote
quote:
Originally posted by Jefrey

I kind of agree - I think TOTY is starting to sound a bit dated. I have great memories of it, but lately when I try to listen to it, it sounds...yeah sterile is probably the right word. No rock 'n' roll soul like with the Catholics.

I think the first one still sounds great.

== jeffamerica ==



Did the catholics ever made a song as punk as Pong ? Maybe crazy hardcore punk rocks too hard to be named "rock'n'roll" ?.
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billgoodman
>> Denizen of the Citizens Band <<

Netherlands
6213 Posts

Posted - 05/11/2007 :  14:11:49  Show Profile  Click to see billgoodman's MSN Messenger address  Reply with Quote
Angst is the first one I can think of it

---------------------------
BF: Mag ik Engels spreken?
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TRANSMARINE
* Dog in the Sand *

USA
2002 Posts

Posted - 05/11/2007 :  14:33:05  Show Profile  Reply with Quote
Humboldt County Massacre is pretty damn fuckin punk.

----------------------------------------------------------------------------
His name is Dalton. He's got a degree in philosophy.
-bRIAN
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Jefrey
= Cult of Ray =

USA
918 Posts

Posted - 05/11/2007 :  15:51:57  Show Profile  Visit Jefrey's Homepage  Reply with Quote
Pong is punk? I'd say "quirky pop" or "alternative". What's punk about it? Maybe France has a different definition of punk?

== jeffamerica ==
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Czar
= Cult of Ray =

Canada
321 Posts

Posted - 05/11/2007 :  16:04:55  Show Profile  Visit Czar's Homepage  Reply with Quote
Well, I'm sure that Pong played live is much more "punk" (whatever that means) than on TOTY. TOTY, compared to BF anyway, is over-produced, thus (more) sterile. And for having seen The Catholics play Czar, I can say I felt punk.

I love TOTY btw.
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Jefrey
= Cult of Ray =

USA
918 Posts

Posted - 05/11/2007 :  17:39:30  Show Profile  Visit Jefrey's Homepage  Reply with Quote
Punk is usually defined as fuck the establishment, and often political or social commentary. Also usually DIY style or at least not professionally trained musicians. People that started a band to make a point and send a message.

Early Pixies are more punk (or post-punk). TOTY is a full on studio album with session players - it's not punk.

I don't really care about categories - it's all disco baby. But if you're going to throw something in a genre bucket, I would have to strongly argue that there is nothing "punk" about TOTY.

== jeffamerica ==
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Born to Lose
- FB Fan -

USA
91 Posts

Posted - 05/12/2007 :  06:33:15  Show Profile  Reply with Quote
Thalassocracy sounds punk influenced to me.
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trobrianders
> Teenager of the Year <

Papua New Guinea
3302 Posts

Posted - 05/12/2007 :  08:00:17  Show Profile  Reply with Quote
Doesn't TOTY sound like that because of Lyle? Joey played to sex and death, Lyle played to sky and stars, Rich played to the god of rock. I love them all but I'm happiest when Charles' chain-bell guitar stylings are to the fore.

_______________
Ed is the hoo hoo

Edited by - trobrianders on 05/12/2007 09:52:01
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Grotesque
= Cult of Ray =

France
777 Posts

Posted - 05/12/2007 :  14:48:51  Show Profile  Reply with Quote
quote:
Originally posted by Jefrey

Pong is punk? I'd say "quirky pop" or "alternative". What's punk about it? Maybe France has a different definition of punk?

== jeffamerica ==




Dead Kens (especially the stuff on "In God We Trust Inc.")
Husker Du ("Land Speed Record")
Minutemen ("Paranoid Time", "The Punch Line"...)
Banana Melt (I'm not crazy about them but they're surely punk)
Pixies (especially a song like Rock Music)
This stuff sounds quite close to Pong to me.
Crazy breaks, crazy energy, shouts. I'm not precisely speaking about Green Day there.
Session players?
I know Eric Drew Feldman doesnt look like a punk at first look, but we're talking bout a guy who played with CAPTAIN BEEFHEART on some of his best records. If Don Van Vliet is not the king of punks...
Then finaly, I remember having seen Frank Black in Paris for the Teenager of The Year tour, with Feldman, and the band was really frightening. Anarchy. All the songs, even the soft ones, were played like "Nazi Punk Fuck Off", a bit like Dinosaur Jr live ("but... wasnt this a bit pop on the record?"). Then one year later with the "cult of ray" band (still Workman but the catholics on rythm section). It was surely rocknroll, but not that crazy anarchy.
Maybe they were more punk in the sense of the Ramones, that I can believe.

Last Minute Edit: Hey, anyway, isnt "Pong" a tribute (musically and lyricaly) to the song "Whatever happend to..." by the Buzzcocks ?

Edited by - Grotesque on 05/12/2007 15:08:16
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floop
= Wannabe Volunteer =

Mexico
15297 Posts

Posted - 05/12/2007 :  16:04:17  Show Profile  Reply with Quote
quote:
Originally posted by Grotesque

Then finaly, I remember having seen Frank Black in Paris for the Teenager of The Year tour, with Feldman, and the band was really frightening. Anarchy. All the songs, even the soft ones, were played like "Nazi Punk Fuck Off",


as an aside

http://youtube.com/watch?v=Jz1sBi0-130&mode=related&search=



Do you think Bluefinger was intended to be a Pixies album?
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