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[quote][i]Originally posted by Carl[/i]
[br][url="http://thequietus.com/articles/03852-frank-black-interview-pixies-nonstoperotik"][b]The Quietus.[/b][/url]

[font=Times New Roman][size=6]Here Comes The Man: Frank Black
Interviewed[/size=6]

[teal][i]Ben Hewitt , March 8th, 2010 04:57[/i]

[size=4]Ben Hewitt and Black Francis sup on gin and wine respectively as they
discuss music, sexuality, ghosts, Lou Reed and Virginia Woolf - and, just
maybe, another Pixies reunion tour[/size=4][/teal][/font=Times New Roman]

[IMG]http://img138.imageshack.us/img138/5064/bfrancis1267995783crop5.jpg[/IMG]

[font=Times New Roman][size=3]Frank Black puts down his glass of red wine and rises from his seat in the upstairs bar of a plush
London hotel to greet The Quietus. The last time he was in the capital, he was being worshipped
by thousands of ardent Pixies fans as he ripped through material from the band's most famous
album, [i]Doolittle[/i]. But rather than rest on his laurels and embrace a full Pixies reunion, Francis has
shelved any plans to reunite with Kim Deal, Dave Lovering and Joey Santiago on a permanent
basis and returned with another solo record, [i]NonStopErotik[/i].

The Quietus sat down with Black to discuss haunted recording studios, the sexiness of Nina
Simone and those Pixies rumours . . .

[b]I heard that the stimulus for [i]NonStopErotik[/i] was an old guitar you were given. Is that true?[/b]

Frank Black: Well, I was given a junk guitar, and I didn't want it. I don't want to carry around
some giant object that someone gave me. I've gotta carry this thing all round the country with me
till I get home, and hate it for the rest of my life?

[b]I imagine you have a lot of guitars already.[/b]

FB: Not guitars so much...it just happened to a guitar. I abandoned the thing and somehow it
ended up back in my possession a couple of years later, and I changed my mind about the object.
I still think it's a crap, shitty guitar, but it looks cool. It's painted black. And it was given with all
the best intentions, and it just became a magical guitar. It seemed to have riffs in it, it seemed to
have chords in it.

[b]And you cleaned it with red wine, right? Why?[/b]

FB: Yeah, because that was what was available in the room.

[b]Didn't you have any water?[/b]

FB: Yeah, there was water, but water wouldn't be good for cleaning an instrument. Not that red
wine is any better, but you feel like you can clean something with a liquor more than water. It
sterilises it and cleans it, and gets gunk off. And it was kind of romantic. A guitar with a sad little
story, in the sad little room that I was.

[b]It said on the press release that the studio was haunted...[/b]

FB: Well, yes. That's why I said it. You're the tenth person that's said to me 'You said it was
haunted'. [Moves to within an inch of The Quietus' nose]. [i]It was haunted[/i].[/size=3][/font=Times New Roman]

[url="http://www.youtube.com/watch?v=4qV7cU9bbu4"][b]YouTube - Black Francis | Six Legged Man.[/b][/url]

[font=Times New Roman][size=3][b]Well sometimes, artists have no idea what's been put on their press releases.[/b]

FB: Oh, ok then. Well maybe I wasn't clear.

[b]How did you know it was haunted?[/b]

FB: [Laughs]. Because all studios are haunted.

[b]Did you feel any kind of supernatural presence?[/b]

FB: Yeah.

[b]What kind?[/b]

FB: Presence. There wasn't any flying lampshades or anything like that, but ghosts in the studios -
when the session is going good and good stuff is happening, they leave you alone. They don't get
mischievous. But then when stuff breaks and you get problems, or something more scary...

[b]Maybe it's a sign that the album was good if they left alone.[/b]

FB: That's what I tell myself.

[b]I think the title [i]NonStopErotik[/i] raised a lot of eyebrows.[/b]

FB: [Nods]

[b]Do you think it's fair to categorise it as a sexual album, or do you think that does it a disservice?[/b]

FB: I would hope that the subject of sexuality has a lot more depth than being just about sex. It's
not just about sex. That's a major component of it, but there's all the thing that that is connected
to. Can you see what I'm saying? I like to think that it's more complex than being 'my sexy album'.
Sexy isn't the right word. Sexual is right. Sexy? Maybe here, maybe there...

[b]But then a lot of your work has always been rooted in the sexual. It may have been cryptic,
but I think it's always been there.[/b]

FB: I think so. The actor Jack Nicholson says that when he does a scene, he has to decide as an
actor who his character is. And I think there's a certain amount of acting that goes on in making
records, so it doesn't matter what you're singing about...actually, forger what I said about acting.
But if you're in tune with your personality, you'll be true to who you are sexually.

[b]What do you think the sexiest record ever made is?[/b]

FB: Well that's the perception that another person is going to have, so it's kind difficult for me to
say. The question is still valid though...my wife always says 'Oh, that's a sexy one, I like that one'
and I say 'Really?'. But that's because she has her own personality, so I don't know.[/size=3][/font=Times New Roman]

[url="http://www.youtube.com/watch?v=qPWHVX4xRe0"][b]YouTube - "Rabbits" - Black Francis[/b][/url]

[font=Times New Roman][size=3][b]I meant other people's records, more than you own.[/b]

FB: Oh, I apologise. Um...[long pause]. Come back to that one. I don't know...whenever you're
asked something like this it's like...A is for Abba and B is for Beatles. Where's my iPhone? [Picks
up iPhone and mimes scrolling through it to find an answer to the question].

[b]Going back to [i]NonStopErotik[/i], do you think it's a more complex...[/b]

FB: Nina Simone.

[b]Nina Simone?[/b]

FB: Yeah. She's kind of haunting, but there's something about her that's very, very sexual. She's
pure. She's pure. She's [i]woman[/i]...she's not girl. She's a real woman. She's very seductive...it's like
'Whatever you say, Nina. I'm just going to sit right here and listen to you'.

[b]OK. Do you think that even with the sexual songs on [i]NonStopErotik[/i], there's a lot more
complexity to them than their first appears? 'When I Go Down On You', for example,
seems to be quite heartfelt - quite romantic...[/b]

FB: Yeah, it's a romantic song. The punch line is a sexual thing, but that's not the point. The point
is, I suppose, forget about intellectualising everything. The thing that does bring you happiness is
the sexualised. This I understand. This means something. Everything else is just a big question
mark. This, I know. Everything else, I don't know.

[b]Would it be fair to say you've mellowed a bit on this album, with stripped back songs like
'Rabbits' and [Flying Burrito Brothers cover] 'Wheels'?[/b]

FB: Mellowed?

[b]Mellowed.[/b]

FB: Mellowed...no, in my opinion.

[b]Why?[/b]

FB: Because you're making a sweeping generalisation. I've written 250, 300 songs and 20 albums,
and if you were to go through each album, lo and behold, you're going to find some mellow
tracks.

[b]OK. Are...[/b]

FB: Sorry, I didn't mean to be dismissive of your question. That's just my honest response.

[b]It's alright, don't worry. Are you going to play some live shows in the UK to promote the
record? Weren't you arrested in Ireland in 2008 for playing an impromptu acoustic gig?[/b]

FB: No, that was an exaggeration. I did go away in the police car, but it was a friendly 'Stop this
now before someone falls under a bus or something' thing. It was a crowd control situation.
People thought I'd been arrested, but they didn't actually arrest me. They didn't know who I was.[/size=3][/font=Times New Roman]

[url="http://www.youtube.com/watch?v=JLuNemggM9I"][b]YouTube - Pixies - Debaser.[/b][/url]

[font=Times New Roman][size=3][b]I was hoping they might have asked you for an autograph. So you're planning on playing
live in the UK again?[/b]

FB: I suppose. I don't know. I mean, what's the longest period there's ever been between shows?
I don't know, six months tops. More and more I'm kind of...it's like, look, this whole thing is
really going to hell in a hand basket, this music business. Let's be sensible about this, and just do
away with the campaign, shall we? It's never felt like much of a campaign to me. I'm just some
cult artist who put out a lot of records and went out on tour on a regular basis, and yeah, on my
current tour I'll play a lot of the most recent recordings because that's what's fresh in my head.
But more and more, I'm kind of tired of these old models. Even when they were relevant they
didn't seem that relevant, and I get a little frustrated when the record business cling to these old
models.

The problem with the big record labels is that they're not willing to have A & R people say 'You
know what? New kid on the block, we think you're special. You have your whole life and career
ahead of you, so sure, we're going to try to control and manipulate you, but you're an artist after
all, and we're going to stick by you throughout your career and the ups and the downs. Because
we're going to bet that if you have that stability in your life, and a relationship with a record label
who looks after your recordings and what not, it's going to pay dividends'. This whole marketing
thing is getting more and more twee, bands are over before they even get a record out. That's the
extreme end of it.

I digress, sorry, but you know...'Oh, your new single' - not you, but the radio people. It's just like,
'Come on you guys. Do we have to do this whole single thing again? There is a single, fine, but do
we have to pretend that I'm going to have a number one? Come on, I know what's on the radio.
Does anything above this sweater [[i]pointing to himself[/i]] have anything to do with that? So stop it.
It's so boring.

[b]Would you consider doing some more Don't Look Back shows with the Pixies? Say for
[i]Surfer Rosa[/i] or [i]Come On Pilgrim[/i]?[/b]

FB: That would be nice.

[b]Would you like to do it?[/b]

FB: Sure.

[b]Do you think it will happen?[/b]

FB: I'll tell you what will happen. Whatever will happen...if people really wanna know what's
gonna happen with the Pixies, they need to talk to promoters and agents. That's where the
business is right now - in the live market. And they're the ones that decide all this shit. So
whatever is going to happen - whether they tell us directly or in an indirect way because they feel
like they have to manipulate us - they're the ones who know.

We're interested in anything that's going to earn us a fair wage. It's not to say it's not about art,
but we made that art fucking twenty years ago. So forget the fucking goddamn art. This ain't
about the art anymore. I did the arty farty part. Now it's time to talk about the money. How much
do you think we should sell the tickets for? Where do you think we should play? How many
shows do you think we should play?[/size=3][/font=Times New Roman]

[url="http://www.youtube.com/watch?v=7EE59Ex5Px4"][b]YouTube - Pixies - Where Is My Mind.[/b][/url]

[font=Times New Roman][size=3][b]How about new material? Kim Deal said that she wouldn't be interested until the Pixies
began to feel like a band again, but you all seemed to be having a good time at the Village
Underground and Brixton shows. Could that happen?[/b]

FB: Well, that's your observation that it can, so maybe you're right.

[b]You probably have a better idea than me if it's going to happen.[/b]

FB: Not necessarily.

[b]Well, it's not my decision...[/b]

FB: It's not my decision! If it is, I'd like it too. Of course I would. Do I seem like I've said
anything in the past different? The more I talk about it with guys like you the less likely it is to
happen.

[b]If you did work on new material, what would your ambitions for it be?[/b]

FB: The only ambition would be for it to be good. It will be a success or a failure commercially,
but as long as it's good I don't care. And then we can move on, and it will be about business again.

[b]Have you spoken to Kim about the possibility of new material?[/b]

FB: I tour with her. I go out to dinner with her. We talk about plenty of shit.

[b]So have the conversations move on at all recently?[/b]

FB: I just told you, the more I talk about it with guys like you, the less likely it is to happen.

[b]So you're staying tight lipped on this one?[/b]

FB: [Fixes The Quietus with a long, unblinking stare]

[b]OK then. We were speaking in the office about you being a Lou Reed fan. Is that right?[/b]

FB: I like Lou Reed, yeah.

[b]I think there's a few loose parallels between your careers, too. Is he someone you'd have
an interest in working with?[/b]

FB: Just because I like someone doesn't mean I want to work with them. What's Lou Reed going
to get out of me?

[b]Well, what would you get out of Lou Reed?[/b]

FB: I don't know what he's like to work with. He's a lone wolf. He's not known as a collaborator -
he's had a handful over his career. It's just that stage of the hypothetical dream band: pick your
four favourite musicians alive and dead... The difference between that and having them all in the
same room together in reality. But fair enough, you like someone, would you like to work with
them...

I'm a front man, he's a front man, he's 20 years older than me, he's a legend in his own time.
Would I like to work with him on some level? Sure. I like Lou Reed. Let's say...who's your
favourite author?

[b]Virginia Woolf, probably.[/b]

FB: Someone living.

[b]I don't know. Most of my favourite ones are dead.[/b]

FB: OK, well, Virginia Woolf is back from the dead. Would you want to work on a book together?

[b]I don't think she'd be very impressed with my contribution.[/b]

FB: There you go!

[b]I think there's a bit of a difference between comparing me and Virginia Woolf, and you and Lou
Reed.[/b]

FB: There isn't though - apart from we're both alive.

[b]I was thinking more about reputation.[/b]

FB: Alright, well. You know what I mean. You can't artificially put two people together.

[i]Non Stop Erotik[/i] is out soon on Cooking Vinyl[/size=3][/font=Times New Roman]

[url="http://www.youtube.com/watch?v=zHVKndMZIwI"][b]YouTube - the pixies monkey gone to heaven.[/b][/url]
[/quote]

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T O P I C R E V I E W
Carl	Posted - 03/08/2010 : 03:56:00 The Quietus. Here Comes The Man: Frank Black Interviewed Ben Hewitt , March 8th, 2010 04:57 Ben Hewitt and Black Francis sup on gin and wine respectively as they discuss music, sexuality, ghosts, Lou Reed and Virginia Woolf - and, just maybe, another Pixies reunion tour Frank Black puts down his glass of red wine and rises from his seat in the upstairs bar of a plush London hotel to greet The Quietus. The last time he was in the capital, he was being worshipped by thousands of ardent Pixies fans as he ripped through material from the band's most famous album, Doolittle. But rather than rest on his laurels and embrace a full Pixies reunion, Francis has shelved any plans to reunite with Kim Deal, Dave Lovering and Joey Santiago on a permanent basis and returned with another solo record, NonStopErotik. The Quietus sat down with Black to discuss haunted recording studios, the sexiness of Nina Simone and those Pixies rumours . . . *I heard that the stimulus for NonStopErotik* was an old guitar you were given. Is that true? Frank Black: Well, I was given a junk guitar, and I didn't want it. I don't want to carry around some giant object that someone gave me. I've gotta carry this thing all round the country with me till I get home, and hate it for the rest of my life? I imagine you have a lot of guitars already. FB: Not guitars so much...it just happened to a guitar. I abandoned the thing and somehow it ended up back in my possession a couple of years later, and I changed my mind about the object. I still think it's a crap, shitty guitar, but it looks cool. It's painted black. And it was given with all the best intentions, and it just became a magical guitar. It seemed to have riffs in it, it seemed to have chords in it. And you cleaned it with red wine, right? Why? FB: Yeah, because that was what was available in the room. Didn't you have any water? FB: Yeah, there was water, but water wouldn't be good for cleaning an instrument. Not that red wine is any better, but you feel like you can clean something with a liquor more than water. It sterilises it and cleans it, and gets gunk off. And it was kind of romantic. A guitar with a sad little story, in the sad little room that I was. It said on the press release that the studio was haunted...** FB: Well, yes. That's why I said it. You're the tenth person that's said to me 'You said it was haunted'. [Moves to within an inch of The Quietus' nose]. It was haunted. YouTube - Black Francis \| Six Legged Man. Well sometimes, artists have no idea what's been put on their press releases. FB: Oh, ok then. Well maybe I wasn't clear. How did you know it was haunted? FB: [Laughs]. Because all studios are haunted. Did you feel any kind of supernatural presence? FB: Yeah. What kind? FB: Presence. There wasn't any flying lampshades or anything like that, but ghosts in the studios - when the session is going good and good stuff is happening, they leave you alone. They don't get mischievous. But then when stuff breaks and you get problems, or something more scary... Maybe it's a sign that the album was good if they left alone. FB: That's what I tell myself. *I think the title NonStopErotik* raised a lot of eyebrows. FB: [Nods] Do you think it's fair to categorise it as a sexual album, or do you think that does it a disservice? FB: I would hope that the subject of sexuality has a lot more depth than being just about sex. It's not just about sex. That's a major component of it, but there's all the thing that that is connected to. Can you see what I'm saying? I like to think that it's more complex than being 'my sexy album'. Sexy isn't the right word. Sexual is right. Sexy? Maybe here, maybe there... But then a lot of your work has always been rooted in the sexual. It may have been cryptic, but I think it's always been there. FB: I think so. The actor Jack Nicholson says that when he does a scene, he has to decide as an actor who his character is. And I think there's a certain amount of acting that goes on in making records, so it doesn't matter what you're singing about...actually, forger what I said about acting. But if you're in tune with your personality, you'll be true to who you are sexually. What do you think the sexiest record ever made is? FB: Well that's the perception that another person is going to have, so it's kind difficult for me to say. The question is still valid though...my wife always says 'Oh, that's a sexy one, I like that one' and I say 'Really?'. But that's because she has her own personality, so I don't know. YouTube - "Rabbits" - Black Francis I meant other people's records, more than you own. FB: Oh, I apologise. Um...[long pause]. Come back to that one. I don't know...whenever you're asked something like this it's like...A is for Abba and B is for Beatles. Where's my iPhone? [Picks up iPhone and mimes scrolling through it to find an answer to the question]. Going back to NonStopErotik, do you think it's a more complex... FB: Nina Simone. Nina Simone?** FB: Yeah. She's kind of haunting, but there's something about her that's very, very sexual. She's pure. She's pure. She's woman...she's not girl. She's a real woman. She's very seductive...it's like 'Whatever you say, Nina. I'm just going to sit right here and listen to you'. OK. Do you think that even with the sexual songs on NonStopErotik, there's a lot more complexity to them than their first appears? 'When I Go Down On You', for example, seems to be quite heartfelt - quite romantic... FB: Yeah, it's a romantic song. The punch line is a sexual thing, but that's not the point. The point is, I suppose, forget about intellectualising everything. The thing that does bring you happiness is the sexualised. This I understand. This means something. Everything else is just a big question mark. This, I know. Everything else, I don't know. Would it be fair to say you've mellowed a bit on this album, with stripped back songs like 'Rabbits' and [Flying Burrito Brothers cover] 'Wheels'? FB: Mellowed? Mellowed. FB: Mellowed...no, in my opinion. Why? FB: Because you're making a sweeping generalisation. I've written 250, 300 songs and 20 albums, and if you were to go through each album, lo and behold, you're going to find some mellow tracks. OK. Are... FB: Sorry, I didn't mean to be dismissive of your question. That's just my honest response. It's alright, don't worry. Are you going to play some live shows in the UK to promote the record? Weren't you arrested in Ireland in 2008 for playing an impromptu acoustic gig? FB: No, that was an exaggeration. I did go away in the police car, but it was a friendly 'Stop this now before someone falls under a bus or something' thing. It was a crowd control situation. People thought I'd been arrested, but they didn't actually arrest me. They didn't know who I was. YouTube - Pixies - Debaser. I was hoping they might have asked you for an autograph. So you're planning on playing live in the UK again? FB: I suppose. I don't know. I mean, what's the longest period there's ever been between shows? I don't know, six months tops. More and more I'm kind of...it's like, look, this whole thing is really going to hell in a hand basket, this music business. Let's be sensible about this, and just do away with the campaign, shall we? It's never felt like much of a campaign to me. I'm just some cult artist who put out a lot of records and went out on tour on a regular basis, and yeah, on my current tour I'll play a lot of the most recent recordings because that's what's fresh in my head. But more and more, I'm kind of tired of these old models. Even when they were relevant they didn't seem that relevant, and I get a little frustrated when the record business cling to these old models. The problem with the big record labels is that they're not willing to have A & R people say 'You know what? New kid on the block, we think you're special. You have your whole life and career ahead of you, so sure, we're going to try to control and manipulate you, but you're an artist after all, and we're going to stick by you throughout your career and the ups and the downs. Because we're going to bet that if you have that stability in your life, and a relationship with a record label who looks after your recordings and what not, it's going to pay dividends'. This whole marketing thing is getting more and more twee, bands are over before they even get a record out. That's the extreme end of it. I digress, sorry, but you know...'Oh, your new single' - not you, but the radio people. It's just like, 'Come on you guys. Do we have to do this whole single thing again? There is a single, fine, but do we have to pretend that I'm going to have a number one? Come on, I know what's on the radio. Does anything above this sweater [pointing to himself] have anything to do with that? So stop it. It's so boring. Would you consider doing some more Don't Look Back shows with the Pixies? Say for Surfer Rosa or Come On Pilgrim? FB: That would be nice. Would you like to do it? FB: Sure. Do you think it will happen? FB: I'll tell you what will happen. Whatever will happen...if people really wanna know what's gonna happen with the Pixies, they need to talk to promoters and agents. That's where the business is right now - in the live market. And they're the ones that decide all this shit. So whatever is going to happen - whether they tell us directly or in an indirect way because they feel like they have to manipulate us - they're the ones who know. We're interested in anything that's going to earn us a fair wage. It's not to say it's not about art, but we made that art fucking twenty years ago. So forget the fucking goddamn art. This ain't about the art anymore. I did the arty farty part. Now it's time to talk about the money. How much do you think we should sell the tickets for? Where do you think we should play? How many shows do you think we should play? YouTube - Pixies - Where Is My Mind. How about new material? Kim Deal said that she wouldn't be interested until the Pixies began to feel like a band again, but you all seemed to be having a good time at the Village Underground and Brixton shows. Could that happen? FB: Well, that's your observation that it can, so maybe you're right. You probably have a better idea than me if it's going to happen. FB: Not necessarily. Well, it's not my decision... FB: It's not my decision! If it is, I'd like it too. Of course I would. Do I seem like I've said anything in the past different? The more I talk about it with guys like you the less likely it is to happen. If you did work on new material, what would your ambitions for it be? FB: The only ambition would be for it to be good. It will be a success or a failure commercially, but as long as it's good I don't care. And then we can move on, and it will be about business again. Have you spoken to Kim about the possibility of new material? FB: I tour with her. I go out to dinner with her. We talk about plenty of shit. So have the conversations move on at all recently? FB: I just told you, the more I talk about it with guys like you, the less likely it is to happen. So you're staying tight lipped on this one? FB: [Fixes The Quietus with a long, unblinking stare] OK then. We were speaking in the office about you being a Lou Reed fan. Is that right? FB: I like Lou Reed, yeah. I think there's a few loose parallels between your careers, too. Is he someone you'd have an interest in working with? FB: Just because I like someone doesn't mean I want to work with them. What's Lou Reed going to get out of me? Well, what would you get out of Lou Reed? FB: I don't know what he's like to work with. He's a lone wolf. He's not known as a collaborator - he's had a handful over his career. It's just that stage of the hypothetical dream band: pick your four favourite musicians alive and dead... The difference between that and having them all in the same room together in reality. But fair enough, you like someone, would you like to work with them... I'm a front man, he's a front man, he's 20 years older than me, he's a legend in his own time. Would I like to work with him on some level? Sure. I like Lou Reed. Let's say...who's your favourite author? Virginia Woolf, probably. FB: Someone living. I don't know. Most of my favourite ones are dead. FB: OK, well, Virginia Woolf is back from the dead. Would you want to work on a book together? I don't think she'd be very impressed with my contribution. FB: There you go! I think there's a bit of a difference between comparing me and Virginia Woolf, and you and Lou Reed. FB: There isn't though - apart from we're both alive. I was thinking more about reputation. FB: Alright, well. You know what I mean. You can't artificially put two people together. Non Stop Erotik is out soon on Cooking Vinyl YouTube - the pixies monkey gone to heaven.
23 L A T E S T R E P L I E S (Newest First)
Brank_Flack	Posted - 04/27/2010 : 18:17:06 I agree with what he's saying, especially how he pointed to his solo career as proof that he's not in it for just the money. ------------------------ Golem Survivor Round 4 http://forum.frankblack.net/topic.asp?TOPIC_ID=20079
Carl	Posted - 04/27/2010 : 10:39:48 Spinner - Black Francis Defends Comments About Pixies Reunions and Money.
johnnyribcage	Posted - 03/11/2010 : 12:33:42 Charles, next time one of these guys isn't getting the message, you should break out Squid Fist to explain it to them: Ayerigvlagabriga-Raraaaargh!-Rumbahl-Jumbahl!
johnnyribcage	Posted - 03/11/2010 : 09:38:09 quote: Originally posted by danjersey "I love your body Larry" "Keep ten for yourself. Go and get yourself a nice piece of ass." Ayerigvlagabriga-Raraaaargh!-Rumbahl-Jumbahl!
joe FITZ of molly BANG	Posted - 03/09/2010 : 11:18:07 "non stop ball bearings?" bearinKs? I still would love to see a vomit squad album. ________________________________ my band: www.myspace.com/mollybang
joe FITZ of molly BANG	Posted - 03/09/2010 : 11:14:58 is it safe to say the next album will actually be ball bearings in a plastic case? ________________________________ my band: www.myspace.com/mollybang
danjersey	Posted - 03/09/2010 : 09:14:04 "I love your body Larry"
Broken Face	Posted - 03/09/2010 : 06:33:33 quote: Originally posted by danjersey "It's all ball bearings now a days" Beat me to the Fletch quote... - Brian
Brank_Flack	Posted - 03/09/2010 : 05:34:16 Regarding the Billboard interview, i'm going to scotland for exchange in the fall, i hope the east coast tour is before august! I have a bad habit of leaving toronto as soon as bands/artists i like come
Grotesque	Posted - 03/09/2010 : 02:11:43 quote: Originally posted by blckfrncs And. What I SAID was that Jack Nicholson decides who his character is SEXUALLY when he does a scene. Mmm. Its makes sense now, but anyway I remember thinking "there must be something missing there". How to turn something interesting into a dumb Paris Hilton quote, like "You know what, I found out Jack Nicholson IS AN ACTOR!".
Grotesque	Posted - 03/09/2010 : 01:59:21 And UFOS!!!
eroticvultcha	Posted - 03/09/2010 : 00:51:39 Don't forget Thom Yorke. I bet you didn't know Frank influenced him too. "I've got my own gas tanks."
houstonguthrie	Posted - 03/08/2010 : 23:50:01 Ben Ben Ben - you get a chance to sit down with the man and you don't even ask him about Kurt Cobain?? come on man - step it up a notch!!
danjersey	Posted - 03/08/2010 : 23:09:37 "It's all ball bearings now a days"
eroticvultcha	Posted - 03/08/2010 : 22:57:20 I always liked this interview: http://www.youtube.com/watch?v=xIN1YfYEIUk&feature=fvsr -Frank is very receptive. Pixies questions may be asked, but they're fairly organic. It doesn't seem like an orchestrated attempt at steering the conversation to Pixiesville. You can understand why patience was running low in The Quietus's interview, though. Also, it should be noted that Kim gets pretty pissy when interviewers try to get a cheap, distorted quote out of her as well. http://www.youtube.com/watch?v=09S0wgzvxio "I've got my own gas tanks."
vilainde	Posted - 03/08/2010 : 21:20:50 Today's article in Billboard makes much more sense: <<As for the beloved Pixies getting together to tour or even perhaps finally get around to recording a new album, nothing is planned. "Well, I decided the more I address that question in the press the less likely it is to happen because it kind of identifies me as a person with an agenda to other people in the world, specifically certain people," Thompson says. "People that might be musicians in a band. So when I play that agenda outside of the band bubble on my own, I can see it from their point of view. It comes off as kind of egotistical or assuming and just makes me come off as more of a pompous ass than I really am and makes it more difficult for me to navigate that particular ship into the harbor." >> http://www.billboard.com/news/frank-black-keeps-the-music-coming-non-stop-1004073540.story?tag=hpfeed#/news/frank-black-keeps-the-music-coming-non-stop-1004073540.story?tag=hpfeed Denis "Can you hear me? I aint got shit to say."
blckfrncs	Posted - 03/08/2010 : 21:11:30 Glad you guys like the interview. I'm really not that cranky in general, but some people, you know, they're whole agenda seems to be about antagonizing the artist for the purpose of getting some quote about the artist's old band so that it can get regurgitated and misquoted out of context all over again a hundred times on the internet. And. What I SAID was that Jack Nicholson decides who his character is SEXUALLY when he does a scene. And I would not describe the hotel as PLUSH; it was a typical big city, dog-eared, businessman's hotel with a bar on the roof for all of us businessmen to hold their meetings and sell their stuff. Me, I was trying to sell my new record (perhaps horribly) and the next table over was selling ball bearings, seriously, if you guys could be a fly on the wall at one of these press junkets. bf
gyaneshwar	Posted - 03/08/2010 : 06:31:40 That was some seriously entertaining shit to read. Kudos to Charles - I wouldn't have been able to keep my cool.
joe FITZ of molly BANG	Posted - 03/08/2010 : 06:24:47 is there a song about the "special guitar" cleaned with wine? if not can i write one? ________________________________ my band: www.myspace.com/mollybang
Brank_Flack	Posted - 03/08/2010 : 06:20:57 Haha, there were hints of Dylan there. I can't believe the interviewer didn't shut up about a pixies reunion after it was clearly aggitating charles. Best part: So you're staying tight lipped on this one? FB: [Fixes The Quietus with a long, unblinking stare]
joe FITZ of molly BANG	Posted - 03/08/2010 : 06:17:14 sounds like older charles interviews. :) interviewers should know by now not to talk about (for the most part) 1. kin deal / the break up 2. pixies reunions 3. a new pixies album and charles (and i think anyone) can tell and would be annoyed with someone interviewing him as the "front man of the pixies" as opposed to a "singer / songwriter of the pixies / frank black / black francis / grand duchy" ________________________________ my band: www.myspace.com/mollybang
Grotesque	Posted - 03/08/2010 : 05:59:31 Yeah! The good old angry Frank Black is back! Exatly the same! I missed him, even if I liked the zen/easy going Frank Black too!
Sam	Posted - 03/08/2010 : 04:30:23 - Is it just me or was patience a bit thin on the ground here. great interview,Mr.Francis does not suffer fools gladly.

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